Thursday, June 20, 2013

Fabric styles and prints offer great clues for dating home sewn Vintage



Dating vintage is a process that employs a number of factors. Style, labels and methods of construction are probably the most heavily relied on but there are others. Sometimes fabric and print offer good clues. Textile innovation and esthetics evolved with the times and the materials used to make a garment can often help pin down it's approximate age, especially with home sewn pieces. We  need to keep in mind that women sometimes used older fabric to sew with, but in general, dressmakers and home sewers tried to stay on trend. A great way to glimpse what was being worn at a particular time in history is with the women's or fashion magazines of their day and a really great resource for fabric styles can be found in old mail order catalogues.

I keep a number of vintage Sears and Montgomery Ward catalogues on hand because they always have a sewing section. I love the yard goods pages that picture multiple fabric swatches. The button pages are also a favorite. Original catalogues are hard to find and can be pricey but to me they are well worth the investment. There are also reproductions available for less money.

Below are a few clips I chose from my collection, to illustrate a small sampling of the iconic fabrics from the 1930s - late 1960s.

 

The prints from the 1930s were often dainty

 
 
 
 
The 1940s saw great innovations in  outerwear
fabrics

The textile world went crazy with novelty prints in the 1950s
 
 
Quilted cottons were great for lending structure to a full skirt.
 
Lots of stylized prints in the early Sixties and
quality cottons were abundant
 
Classic plaids and tweeds were a staple
 
 

The Mod era was in full swing in the late 60s
 

 

 
 

Friday, June 14, 2013

The morphing of the vintage business and my new studio!

Vintage is how I make my living and I've been in the business for over 15 years. Before that I was a custom dressmaker and milliner with a passion for the evolution of fashion. So you could say I've been immersed in this for most of my adult life. Over the years I have seen the business of vintage go through tremendous change. There was a time when brick and mortar shops were the backbone of retail vintage. Shops that established themselves in the 1970s stayed in business for decades, their merchandise was always eclectic...Victorian whites to psychedelic Mod. There was something for everyone and the vintage customer shopped with imagination.

Interest in styles from the past ebbed and flowed and each era enjoyed a heyday but there was always a demand for diversity. A good vintage shop made sure they delivered. In the later 1990s vintage hit the internet and caught the eye of mainstream fashion. By the early 2000s major fashion magazines were including it in their shopping spreads and announcing the various celebrities who were adding it to their wardrobes. The demand for vintage surged, which was exciting, but I remember feeling a twinge of uneasiness. Vintage, after all, was a place for inspiration. It covered over a century of eras and represented thousands of different looks. I worried what might happen to the business if it began to follow the dictates of trend.

Fast forward and retail vintage is no longer recognizable in comparison to it's earlier incarnations. Some of the changes have been wonderful and others I lament deeply. The internet has provided a platform to sell to an unlimited market. I send orders all over the world which is fantastic. However, the internet also dealt a lethal blow to many brick and mortar shops, especially the ones located in less populated areas. Some savvy shop owners turned to the web to supplement their businesses but that meant double the work and not necessarily double the income. For some it was a godsend for others the beginning of the end.

Then there is trend... vintage always had it's own form of trend...the 40s were the it era for 70s vintage, the 80s loved the 50s and so on. The big difference between now and then is the narrowing of trend and the pace at which it seems to change. Last summer my customers in the Boston area all seemed to want 80s Coach or Dooney and Bourke, my other vintage bags just sat. I had never seen anything quite like it. A micro focused trend eclipsed the unlimited choices that vintage had to offer. It was eerie.

Over the years I have watched the flow of customers at my shows and market venues and have witnessed an increasing homogenization of style. Up to just a few years ago I was blown away by the creative ways in which people were incorporating vintage into their wardrobes. This past year a number of my colleagues and I noticed how much less creativity we were seeing and how similar everyone dressed, even at our NYC shows (NY has always been a cauldron of fashion innovation). I can only hope this is as temporary as the other trends because vintage without creativity holds no interest for me.

My own business has seen tremendous change over the years. I went from solo Brick and Mortar...Web/Brick and Mortar...Web/B+M/Shows. Today I sell on the web along with a number of shows and markets. I closed my shop a little over three years ago. The most recent change has been relocating my merchandise from my old storefront to a large sunny studio. I plan to ramp up the internet side of the business and when the studio is finally organized to my liking I will make it available "by appointment". Change is exciting but also exhausting so here's hoping that the need to morph my business takes a break for a while!

Let me know what you think of my new studio!





Thursday, June 6, 2013

Reinventing the Cloche


The cloche is one of those icons of fashion that never seem to disappear for long. Milliners have been reviving and reinventing this little bell shaped hat since it’s inception sometime around 1908.  Caroline Reboux is credited with inventing and naming the cloche. It became popular around 1915 and is the signature chapeaux of the Roaring ‘20s often referred to, today, as “flapper hats”. The dominance of the cloche remained strong until around 1933 when it finally fell from favor. 

Every decade since then, however, the cloche has made a comeback, some decades it was embraced more than others but examples can be found throughout the 20th century and it’s influence on millinery fashion continues.  Long live the cloche!











Monday, February 11, 2013

My vintage gown at the Grammy Awards!

Despite the dismal winter weather and the fact that I am on DAY FIVE of battling the dreaded flu I'm a pretty happy camper right now. This morning I woke to some really wonderful news. The phone rang and it was Stephanie Pernice, one of the producers of the SOWA Vintage Market. The market is in the South End in Boston and I have a booth there where I sell vintage. A few weeks back I sold a 1960s gown to a woman by the name of Susan Battista, she was planning to wear it to the Grammy Awards where her husband Fritz Klaetke, design director at Visual Dialogue, had been nominated for an award in the best package design category. As you can imagine Susan wanted to look perfect for the occasion. She chose a chic sleeveless column gown from the 1960s done in a gorgeous metallic brocade. The ground color was dark chocolate and the brocade pattern, stylized splashy gold flowers. It was exactly what she was looking for AND it looked stunning on her. So fast forward to this morning when Stephanie called to tell me that Fritz had won the award! How thrilling that must have been for him AND his wife, a dream come true. I was SO very happy for them and to be honest pretty darn happy she had chosen my dress for the occasion!

Stephanie wanted to know if I had a picture of the dress for her blog which sadly I did not. I told her that Susan promised me a shot after the event but something tells me that this might not be the most important thing on her mind at the moment :) Maybe once they have settled back at home Susan will think to send a photo, till then here is a link to a picture of the proud winner, his wife AND my dress ;)

AND here are some pictures of my booth at SOWA



Monday, June 4, 2012

The SOWA Vintage Market




 We are back!! This weekend we opened our booth at the SOWA Vintage Market in Boston and I couldn't be more happy! This will be our third Spring/Summer (the market runs year round) and I swear it just keeps getting better! It was so nice to see old friends and to meet new dealers. There was a lovely big crowd all day long and everyone seemed to be having a great time. SOWA is an eclectic market offering a little of everything, INCLUDING the occasional vintage sink ;) Although my main business is vintage clothing and accessories I do dabble in antique/vintage decor as well and SOWA is the perfect venue for both. That's one of the things I like best about this place... the great balance of merchandise, literally, something for everyone (and every wallet).

Stephanie and John are the managers and they work tirelessly to keep things fresh and exciting and dealers replenish with scads of new items each week. I made the rounds yesterday to see what treasures were to be found and I was so impressed by the selection I just had to take pictures and share. I focused more on the decorative as opposed to the wearable, but don't be fooled there are racks and racks of vintage clothing to choose from as well. Just to let you know, during the summer SOWA Vintage is not alone, there is also a farmers/craft/artists market that takes place in the parking lot right outside the door, AND great food trucks (I'm talking everything from gourmet cupcakes to Thai food to gigantic hot dogs). VERY dangerous for a gal like me who is trying to watch her waistline....although, it IS just once a week so maybe not too dangerous...... Anyway, if you are in the Boston area on a Sunday, SOWA is a "must visit" event. If you are local it just might become a regular haunt! For info visit their website. Now, enjoy the pictures!

One of my favorite booths, a team of two dealers offer painted refinished vintage furniture along with lovely crystal and exotic live plants


Endless selection of vintage clothing and accessories, I did not photograph any of the racks of pretty dresses but rest assured there are plenty!







LOTS of beautiful and unique items for the home!



Grownup Kids Stuff!


Wiley (left) and his brother/assistant (AKA the Atari Guys) win the prize for cutest dealers plus they specialize in old original video games, how cool is that!

And of course no vintage market, worth it's salt, would be complete without the strange and surreal!

Hope you can make it, toodles for now!

Saturday, March 17, 2012

The Beauty is in the Details

The other day I posted a wonderful 1950s novelty skirt to my website. It has this huge appliqued pocket watch on it which got me to thinking about the fabulous detail work I come across in the vintage market. Embroidery, bead work, trapunto, hand painting, applique... today's fashion market is nearly devoid of these wonderful methods. I grant you there is still a penchant, in modern ready-to-wear, for beads and sequins but as a rule you have have to go to couture level (or at the very least a very high end market) to find decorative detail that is equal to much of what is easily found in Vintage.

Some of the older details were done by hand... others by machine but either way they added time to the construction of the garment and time adds cost. In the past it was common for even the budget labels to attempt some kind of unique textile adornment. Today the industry relies heavily on print rather than intricate surface detail for added design interest. This blog is a pictorial tribute to the treasure trove of embellishment that is yet one more reason to be in love with Vintage!

Enjoy!



Pocket watch, appliqued felt skirt from the 1950s


































































Gorgeous beaded details on an early 1970s alaskine evening coat.


















































Quirky top from a 1970s pant suit with machine embroidery.





































1970s double knit wool dress with brass studs.











Jute detail on the hem of a 1960s wool crepe dress.





















Whimsical 1960s hand painted dress from Greece, signed Pepi.



Ribbon embroidery and applied rhinestones make this simple alaskine dress special.



A late 50s - early 60s confection in shirred chiffon and inset lace.











Painstaking, hand done Tambour embroidery with beads and rhinestones on a red wool vest. Most likely made in India in the 1960s-70s for the western market. It came with a matching maxi skirt.































Koos van den akker, wool challis dress with marvelous applique work.





Slipper satin dress from the 1950s with trapunto work at the hem.



Felt applique with embroidered highlights on a bright yellow linen maxi dress from the late 1960s.